I just picked up an Echoplex effects pedal. A what? OK, I know, something only hard core music geeks have heard of. I will give a quick explanation, but I won’t blame you if you skip down to the video ;)
(start of technical part…)
An “echo” (AKA, “delay”) is just what the name implies – you put in a sound and you get a repeat of the sound. You hear it all of the time in “modern” music (post-1950s) without hearing it. In the late 60s and 70s a lot of artists pushed it so you did hear it – it became part of their sound (Pink Floyd) or was used on special occasions (the weird synth solo in the Styx song “Come Sail Away” starting about 3:15 in).
Simplistically, there are three main types of “echo”/”delay” units used in rock music – analog (usually bucket brigade), digital and tape. Each has pluses and minus. Analog has a warm and dark sound. On the down side, it doesn’t handle high end very well – as you move up the keyboard, you get less and less effect (a “just for fun” video I did with analog). Digital is super flexible but is often seen as cold and too exact. Tape is what the big rock bands of the 60s and 70s used. It uses magnetic/recording tape, like grandma used to use in her cassette player, or, if you are over 40, what you used for “mix tapes”. The tape is very short and in a loop. It gets recorded and then plays back over and over again. (A little more than that, but you get the idea). It was also quirky and the tape often caused problems. And it was relatively expensive.
Today, digital technology has been able to recreate the sound of the old tape delays and has come pretty close, even including an element of randomness.
So that is what my new “toy” is, an effects pedal made mostly for guitarists that does a great job of recreating one specific tape delay/echo, the Dunlop Echoplex, the echo unit used by Steve Miller.
(end of technical part ;) )
So I received this yesterday and started to play around with it, plugging my (Korg) Arp Odyssey into it (see my review and demo of (K)Arp Odyssey here). I was having a blast with it – a great piece of equipment. Yes, it can be used in a subtle way, which I often do with the analog delay, but I threw that out the window for testing and went all out for major effects.
After playing for a while, I tried to record it on my phone. To get it so the phone actually recorded the sounds I was making and not the clicking of my fingers on the keyboard, all you could see was my backside, so I did an effect on the video that I hope fits the mood ;) Also, the phone did not pick up the deep, rich sound. At the end I brought in the analog echo and it sounded like a string bass coming in, but the phone dropped the lowest harmonics. This was slightly influenced by Frippertronics.
Don’t take this too seriously – I was just having fun and improvising.
(If you don’t see the video below, please click here)
I hope you enjoyed this musical madness….
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Kind of fun to learn more about synthesizers and their special effects via you! Neat to learn that technology has even been able to copy the guitar sound:) My weekly smile are the smile of the little boy and girl in my post!
https://wp.me/p9EWyp-1HK
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Yep, I can try to get just about any sound I want. If I achieve that goal is another thing ;) The funny thing is that most the technology I use is from the 70s, though often modern recreations.
I’ll be by to see your smile in a few minutes :)
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Lots of fun … Beautiful sounds …
I have an old EP3 … It sounds great but, it’s high maintenance & it’s Hell to find parts for …
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Thanks. It is loads of fun. I’ve never had the luck to use a real tape echo. I know the EP3 were something special, though I can believe that the parts are hard to find these days… I did no go for the full virtual experience and didn’t get the preamp, which is separate in this version.
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Lovely post !!! Thank you for sharing it.
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Thanks!
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Trent, you do seem to enjoy enhancing and creating with music. I wondered if you heart of the
programs … FLStudio or fruity loops studio?
Can be downloaded from your computer at a price.
I enjoyed your video very much.
Miriam
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Thanks.
Back when I was first moving from pure hardware to software recording I looked into FLStudio. At the time it was very pattern based and loop based, which didn’t fit my recording process. I’m sure it would be a great tool. These days I use Cubase – actually I have a 10 year old version that needs to be updated as soon as I get my music computer (DAW) off of Win XP ;) If heard/saw the two videos I posted in December, The Coventry Carol and Vivaldi’s Winter, you can see the types of things I normally when I get the computer involved.
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What a great trip down memory lane! Thank you, Trent.
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Thanks! I’ll admit that a lot of the gear I collect has at least a little to do with nostalgia, but after I learn how to use it, I try to push in a more “modern” direction.
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That’s quite a skill set!
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Thanks! I’ve been playing with electronic music for many years….
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Sounds like a synthesizer uses to sound in the 70’s? With a bit of pan flute thrown in for good measure.. I know nothing about techno music tho’…
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The synthesizer I used is a “reissue” of an instrument built in the 70s, so yes, though maybe a little different… A few experimental artists back then, like Robert Fripp and Brian Eno, did a lot with tape loops and I was thinking more of a modern interpretation of their music than of the more prog rock bands. And a pan flute might sound good doing a solo over the top of the ambiance….
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Brilliant and fun!!!!! Loved the video effect too, worked well with the sounds! ;-)
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Thanks, Marina! It was a lot of fun, so I’m glad that part came across.
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Oh, it did! …creative fun! 🙂
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