The Poly D is a minimoog clone. Sort of. It has a few tricks up its sleeve, like letting you play more than one note at a time.
The bit of music features some of those things that differentiate the Poly D from the real Mini. For instance, it has three different “polyphonic” (actually paraphonic, but they can’t call it a Para-D 😉😎) sounds and uses both of the on-board choruses. i also did some percussion sounds, which I have rarely done with this synth, just as part of the demo. It is a bit muddy, but I think you can hear at least a few of the sounds…
I just posted a new video. Yeah, after several months of nothing I am doing a new one every two weeks or so… This one is in ways an extended synth solo, similar to For Her Heartbreak (see blog post here). Anyway, here is the video so you can listen while I talk about it:
Similar to the recent The New Year’s Song *, I was playing with the acoustic percussion instruments, my new cajon, tambourine and cabasa. I also put in an electronic drum sound from my Prophet Rev 2. Most of the sounds on this are the Rev 2 except those percussion instruments I mentioned and the solo. I used the minimoog clone, the Behringer Poly-D for the solo.
(*Note about This compared to The New Year’s Song – TNYS is a real song with what I think is a catchy melody. This is a quick jam.)
Two of the photos of Tiberius on my mixer (one also used at top of page) are new and he is on my new mixer while the photo at the end is over a year old and he is on my old mixer. He does look more like a kitten in that old photo! And he no longer wears a collar.
I have had the Behringer Poly D analog synthesizer for a couple of months now and have done a major project, so I want to do a quick review of it. First, as always, I need to give a quick history lesson. Why? The Poly D is a Minimoog clone (sort of, in a way…).
(Skip to the review if you don’t want to read all of this. Demos and videos are at the bottom. Though maybe play the top demo as you read…)
The Minimoog was released in 1970 and was the first synthesizer that you could pick up in a normal retail music store. It was one of the earliest synthesizers aimed at stage musicians and was extremely popular. Even though Moog soon had a lot of competition in the portable synth market, such as the EMS Synthi (used by Pink Floyd*) and the different Arps (used by many, including Genesis), the Mini was so huge that most people used the terms “Moog” and “Synthesizer” synonymous. And it did find its way into pop, rock, r&b, dance, jazz and beyond through the 70s. Even in the 80s, it was the main synth on the Thriller album and was used by most of the early Technopop bands. In the 90s it helped create the emerging electronica and electronic dance music.
In other words, the Minimoog is one of the most iconic synthesizers of all times.