What was is what was Follow entropy’s arrow Let sleeping dogs lie Life unfolds the way it wants So beware the monkey’s paw
This was written for Colleen’s weekly Poetry Challenge. This week, we were to write a syllabic poem using the theme chosen by Anita Dawes, “What you wish for?” Being the season, I changed it to “Careful What you wish for!” and immediately thought “Beware the monkey’s paw”. So there you go.
BTW, I once posted a small piece of music on a forum. People told me I should expand it. When I did, I used the working title “Careful What You Wish For”. Later I decided to expand again by making it the first movement of a new piano sonata. I did a post about it. And here is a video of “Careful What You Wish For”, but with a much more boring name:
Anyway, a friend/music mentor had been asking for a fugue since I had started my serious study of “classical” music. This person owned an art gallery and had earlier, before I studied composition, commissioned four (4) pieces of music from me over a handful of years. I recently posted the first piece he commissioned, Sortes Vergilianae (The Fanatic), to YouTube and thought I did a post here, but can’t find it. Hmm, maybe I will some day. Anyway, click on that name if you are interested.
Back tot he story, Gary wanted a fugue, but I hadn’t studied fugue in depth, so I kept telling him “no”. Unfortunately, he passed away before he got his fugue. So I decided to write a fugue in the fourth movement here in his memory. Well, almost. I still hadn’t studied fugue and, though I understood how they worked, I didn’t have the form exactly right. So the middle of this is filled with fugue-like sections (fugato), though I think a purist wouldn’t call it “fugue”.
I do like the huge contrasts of super simple and super dense passages in this.
Back in 2007 I was working on a series of 24 Piano Preludes. As I finished each prelude I would often post it on a music forum. The Prelude in C# minor got a lot of attention, and several people said I should expand it and make a larger piece out of it. And so I did. But after that, I decided to continue and create an entire Piano Sonata.
This piano sonata is one of the best things I did back in my “classical” days. The 24 Preludes, when taken as a whole, and The Hamlet Symphony are the only other pieces that in the same league, though I do like my “classical” sonata in g minor.
Of the Sonata in C# minor, the 3rd movement, the Scherzo, is a favorite. Compositionally it isn’t as good as the other movements, but it is a heck of a lot more fun – Scherzo means “little joke”, and this was a joke all around.
Years ago I studied classical composition. After fiddling about for a year or so, I took lessons with an established composer. As part of my lessons I wrote a little “classical sonata”. It was more or less in a Mozart style, though perhaps it was closer to Clementi. If you don’t know Clementi, look him up! Although there are shining moments on this “sonatina”, I wasn’t satisfied. Continue reading →
Years ago I wrote a little Halloween ditty. It was just a quick hack job, but it came out OK. Of course, in best Liszt tradition, I incorporated the Dies irae. Shortly after I wrote it I wrote the first movement of a sonata that used a similar theme. I now have a hard time listening to this because it sounds like a ghost of the much better piece. Here is the original Halloween music: Continue reading →
I was only a little way through my series of 24 preludes when I was forced to take a bit of an unintentional detour. I had been posting each newly minted prelude to a music forum I was following at the time. When I posted my Prelude 6 in c# minor it quickly became a forum favorite. Everyone suggested that I stretch it out into a longer form. At first I resisted but I finally turned my 45 second prelude into a piece of music over six and a half minutes long. I called it “Careful What You Wish For” and posted it back to the forum Continue reading →