I have had the Behringer Poly D analog synthesizer for a couple of months now and have done a major project, so I want to do a quick review of it. First, as always, I need to give a quick history lesson. Why? The Poly D is a Minimoog clone (sort of, in a way…).
(Skip to the review if you don’t want to read all of this, or the videos at the bottom)
The Minimoog was released in 1970 and was the first synthesizer that you could pick up in a normal retail music store. It was one of the earliest synthesizers aimed at stage musicians and was extremely popular. Even though Moog soon had a lot of competition in the portable synth market, such as the EMS Synthi (used by Pink Floyd*) and the different Arps (used by many, including Genesis), the Mini was so huge that most people used the terms “Moog” and “Synthesizer” synonymous. And it did find its way into pop, rock, r&b, dance, jazz and beyond through the 70s. Even in the 80s, it was the main synth on the Thriller album and was used by most of the early Technopop bands. In the 90s it helped create the emerging electronica and electronic dance music.
In other words, the Minimoog is one of the most iconic synthesizers of all times.
I picked up a Sequential (DSI) Prophet Rev 2 polyphonic analog synthesizer a couple of weeks ago. After two weeks of playing, I decided to make a recording and talk about it.
First a few terms. “Analog” means that the sound is created by electronics as a continuous electrical signal which is then manipulated by other electronics. I know,obtuse, but that definition is a contrast with “digital”, which means the sound is created and manipulated by a computer. Most of the first commercial synthesizers were analog.
I said it was a polyphonic synthesizer (poly-synth). In this case “polyphonic” means more than one note can be played at once, sort of like a piano, with each note being distinct. The distinct note is called a “voice” – my Prophet Rev 2 is an 8 voice synthesizer (16 voice Rev 2s exist – more about this later). The way this works is that each voice is played by a completely different synthesizer! In the late 1970s, Dave Smith perfected a way for a computer to store values for a synthesizer so that all of the different voices (synthesizers) could have the same sound though the user only has to set up the sound once (one set of controls). It also let the user save sounds. This instrument was the Sequential Circuits Prophet 5. It helped to revolutionist the music industry and, actually, music itself.